Sat, 8 September 2007
I've long had a certain fascination with--and pity for--Max Fleischer. Fascination because he advanced the art and technique of animation when his future rival Walt Disney still struggled with the rudiments of the form in Kansas City. Fleischer's cartoons were fluid and naturalistic when most "animated" cartoons still looked like glorified comic strips. He experimented with sound a full four years before Walt made STEAMBOAT WILLIE, and invented a 3D process (utilizing miniature sets, built and painted to match the "cartoony" look of the foreground characters) that seemed ingeniously simple in comparison to Disney's monstrous multiplane camera.
Yet despite the great strides he took in the field of animation, he would not receive proper recognition for it for decades....
(More at http://orphan-toons.blogspot.com)